I’m off to the UK for a few days, to see Aleika and Akirno, Bombay Dreams, and go to a #joiito meetup.
Birmingham and London [en]
Going to the UK for a few days.
Stephanie Booth's online ramblings
Everything cultural that interests me: music, reading, science, arts in general, news, photography…
Going to the UK for a few days.
I’m off to the UK for a few days, to see Aleika and Akirno, Bombay Dreams, and go to a #joiito meetup.
Vernissage de l’expo photo de l’Helvète Underground ce soir à Blonay.
Chers amis et chères amies de la région, on n’oublie pas d’aller montrer le bout de son nez printanier au vernissage de l’Helvète, ce soir dès 18h00 à Blonay (oui, c’est bien 18h00, quoi qu’en dise l’affiche).
Five CD’s in my CD rack: Khoobsurat soundtrack, Khakee soundtrack, Killing Me Softly by Roberta Flack, U2’s Unforgettable Fire, and Véronique Sanson comme ils l’imaginent.
This is turning into a bi-weekly feature, though through no intentional design. We’ll see how things evolve during the next weeks.
Here for today:
Five more next week, or the week after!
5 CD’s in my CD rack: Blue Touches Blue by Noa, One Day At A Time by Joan Baez, Bienvenue chez moi by Florent Pagny, Southside by Texas, and Ricky Martin (album by the same name).
Sorry for letting you down last week, I was busy showing these two frenchmen around.
Here we go:
Five more next week!
Five CD’s I own: Live in Dublin by Chris de Burgh, Dil Chahta Hai soundtrack, Asia (eponym album), Rebel by John Miles, and Stereotomy by The Alan Parsons Project. More next week!
Stephanie made me notice yesterday that she had not really figured out what music I liked. In a sudden surge of inspiration, I had an idea for a little game I’m going to play with you these next weeks. Feel free to copy and repeat for yourself!
I’ll try to pick 5 CD’s out of my CD-rack each Sunday (the one currently in my CD player and four more as randomly as possible, with my eyes closed). I’ll list them and tell you in a few words why I have this CD in my CD-rack, if I listen to it a lot, how much I like it — in short, what it means to me. In other words, this amounts to using my CD collection to give you a little insight into my musical tastes, history and culture.
So here goes, 5 CD’s for today:
That’s it for today, folks! Today’s choice gives the impression that all my musical culture comes from my father’s LP collection (not entirely wrong, but not entirely right either), and that I buy all my CD’s at discount prices (pretty correct, actually — I go on CD-shopping binges when they are anywhere below the normal presposterous prices.)
I’m regularly told that I give a bad image of India (the horror stories and all that). Here is some of the nice stuff that I never write about. Things I like about India.
I’m regularly told that I give a bad image of India (the horror stories and all that). Here is some of the nice stuff that I never write about. Things I like about India:
In Thekkady, a hill-station in Kerala. Been sick, brief description of the place.
Thekkady is a nice hill-station. For the moment, the most I’ve seen of it is my hotel bedroom, thanks to the gastro-entritis that kept me in bed all day and in the bathroom all night. As far as I can see, Thekkady is mainly composed of a street lined with identical shops (with identical men in front of the shops trying to tempt you in by asking you what your name is and where you come from). When the street gets tired of shops, they turn into pretty expensive resorts, all next to each other (Cardamom Country, Spice Village, Taj Garden retreat and our more modest Ambady).
We got here yesterday after an afternoon on the road. We hired a private car, but gave up trying to communicate with the driver after he stopped the car and nearly turned back, obviously in a misguided attempt to try to satisfy an imaginary request of ours, when Anita was simply asking a curious question about the route we were taking.
Cellphones don’t work here, enquiries about paying with VISA are greeted with crispated smiles and a barely audible “no… cash please!”, and broadband internet access seems like science-fiction. You’ll therefore have to wait until I’m back in Mumbai (or at best, Cochin) to see any of the photos and videos Anita and I have been furiously shooting (within the limits of the storage space available on the memory card, of course).
I have quite a lot of backlog to type up, going back to my three weeks in Pune. Watch older entries, you might find new reading!
At every moment we make an unalterable decision. When I wrote to you in the beginning, I made one.
At every moment we make an unalterable decision. When I wrote to you in the beginning, I made one. I made another when I invited you to Tirupet. After you had been and gone, when I gave you that string of answers to your questions, then again I made a decision. I have not altered it. The psychological basis of my behaviour did not come in the way of this. Only I did not get the response I wanted. Had I got it, I would have come anywhere with you, done anythng for you. Every girl, the instant she is born, comes prepared to leave her mother and her father.
You might perhaps say that you too expected a response and that you did not get it. How can I give an answer to this? To tell you the truth, one ought to be able to arrive at these decisions without resorting to the language of appeal and response.
Now, after writing all this, I feel embarrassed. If reading this causes you any sorrow then forget me for all time.
You want love, and I don’t want it? What is it that I have given you these six years
You want love, and I don’t want it? What is it that I have given you these six years? Only I did not get entangled in the nomenclature of what I wanted, of what I still want–that’s all. You ought to have carried me off, dragged me away–yes, I am writing what’s true, what’s absolutely true. Nothing is ever gained by analysing things. We only become strangers to our own selves.
P. S. Rege, Savitri
When we were children, my friend’s brother was once to have come from a far-off place. I saw her weep because he didn’t come. I even teased her.
When we were children, my friend’s brother was once to have come from a far-off place. I saw her weep because he didn’t come. I even teased her. Then I too sat and wept with her. Today I didn’t weep. Why? Because I am beginning to learn that one shouldn’t look too far ahead nor try to reshape what has already taken place. What has happened must be left as it is–far away. By holding on to it, the shades tend to grow faint. That’s all.
P. S. Rege, Savitri