Tag: creative commons

Rebirth of the Book Project [en]

If you were reading my blog or hanging out with me in 2006 and 2007, you may remember that I was planning to write a book around teenagers and the internet. It took me some time to realize this was not a money-earning project, that it would be hard for me to find a publisher, and that earning a living was higher on the priority list than writing a book.

A few weeks/months ago (time is a blur) I was approached by a publishing house who wants to publish a book on the “internet and family” topic. The editors thought of me, not knowing about my existing (dormant) book project. We met last week and though this is still very early stages (nothing signed, etc.) we’re both interested in pursuing.

As we were talking about process and next steps, I raised the issue of licencing. Though they have never published anything under a Creative Commons license, the editor had heard of it and said it was worth opening a discussion on the topic with the publisher. This got me thinking (and talking) about various concerns I have about an author contract:

  • what happens if they publish one run of the book and stop there? can I self-publish it on Lulu or Blurb afterwards, or take it to another publisher?
  • can I blog the work-in-progress as I write?
  • what about making an electronic edition available? (the publishing house only does paper so far)
  • can I publish it under a CC licence?
  • what the heck, how about making it available for free on the web?
  • what happens if somebody approaches me saying they want to translate my book? can they self-publish a translation?

Lots of questions, as you can see, that need to be clarified upfront with the publisher and included in the contract — and here is where I’d like your input. I know that many of you reading this blog have experience with writing, publishers, licenses, and all. What would you recommend doing and not doing? What should I pay attention to?

Having a rather progressive stance on certain IP/copyright issues, it would make sense if the terms of my contract and endeavour in the land of dead trees reflected that to some extent. Of course, I’m aware everything might not be possible, but there seems to be an opening to talk about these things with the publisher, so it would be a pity not to take it. Before that, I need to make my mind up about what I’d want — in an ideal world.

I welcome all feedback!

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Photography: Being the Model [en]

[fr] Une chose qui m'énerve fréquemment, ce sont les médias qui désirent me faire photographier pour illustrer leur article, mais qui ne considèrent pas "normal" que le photographe me donne une copie des photos faites. C'est mon image, merde.

Branching off on the [Lane Hartwell–Richter Scales story](http://technorati.com/search/%22lane%20hartwell%22) to react to a paragraph of Lane’s post [Please don’t steal my work](http://fetching.net/2007/10/please-dont-steal-my-work/):

> Along with this, everyday I am hit up with requests for me to give people photos I have shot of them. I’ll be shooting an event and people will push their business cards on me and tell me to “email them the shots”. When I politely explain that I won’t be doing that, and why I won’t be doing that, they usually get nasty with me. If I tell them they can purchase a file or print from me, 9 times out of 10 I never hear back from them.

Lane Hartwell, Please don’t steal my work

Just to make things very clear: I’m not taking a stand on the issue at hand here, which I believe is far more complex than “she’s right” or “she’s wrong”. I’m just reacting to one paragraph of her post, because it reminds me of something that pisses me off regularly.

I see **no reason whatsoever** for which I should not have the right, as the person on the picture, to have a copy of the photograph that was shot of me. This happens to me *very regularly* when I’m interviewed by the press and they bring along a photographer to shoot a few pics to illustrate the article: I ask the photographer to e-mail me the shots, or at least those which made the cut. So far, three actually did it — and I thank them very much for it. Most of the time, I never hear from them again.

And it pisses me off.

Why should the photographer **own** a representation of me? I’m not saying I should own it exclusively, either. The photographer has the rights to the image, but I consider I should at least have the use of it for my personal/promotional use.

Same goes for events. If I’m at a conference, or giving a talk, and I let you photograph/film me, consider that I’m CC by-nc-sa. If you take a photograph of me and “all rights reserved” it, that means I am not allowed to use it in my blog, for example — as far as I understand things.

There is something of a joint ownership in a photography. I’m not saying I’ve figured it out. I’m somebody who takes photographs (though I don’t make any money out of them), so I understand the point of view of the person taking photos, but I’m also (frequently) photographed, and I don’t like being dispossessed of my image.

Thoughts and discussion welcome.

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