I’m reading “Here Comes Everybody“. I’m taking notes.
In the chapter “Everyone is a media outlet”, Clay explains very well what is the matter with the journalism industry. (He has since then co-authored a report on the future of the news industry, which I need to read.)
In a world where everyone is a publisher, journalism is becoming an activity rather than a profession — activity which can be carried out both by those employed by the news industry and the “amateurs” (oh heck). A profession serves to solve a hard problem, that requires specialisation. Reproduction, distribution, and categorisation are now orders of magnitude easier and cheaper than before: professionals are no longer required for these activities.
Look at iStockPhoto and professional photography: the price of professional photography not so much due to the incredible quality of the professional’s work, in many cases, but comes from the difficulty of finding the right photo. iStockPhoto helps solve that problem, so the photo now costs 1$ instead of 500$, can very well have been shot by an amateur, and be no lesser in quality than a more expensive, specially-commissioned professional one.
As it has become easier to publish, public speech and action have become more valuable and less scarce, just like the ability to read and write became more commonplace with the invention of movable type, and scribes lost their raison-d’être.
Journalism is a profession that seems to exist because of accidental scarcity of published material due to the expense of publishing in the physical world. Scarcity (and therefore cost) is not an indication of importance: water is more important to life than diamonds, but that doesn’t make it expensive (The Wealth of Nations, Adam Smith).
When everybody had learned to read and write, and scribes weren’t needed anymore, we didn’t call everybody a scribe, we just stopped using the word; reading and writing is ubiquitous and so not rare enough to pay for, even if it’s a really important skill. Scribes as a profession died out.
As for music and movie industry: the service they performed was distributing music and movies, but now anybody can move music and video easily and cheaply. The problem they were solving does not exist anymore, and so they are trying to maintain it by turning on their customers and trying to make moving movies and music harder artificially.
Because it’s so easy to publish, making something public is less the momentous decision that it used to be. The general criticism of the low quality of online content has to do with the fact we are judging “communications” content (conversation, often) by “broadcast” content standards of interest and quality. We look at Facebook statuses and think “was that really worth broadcasting?” — not realising that it was never intended for broadcast in the first place. It was not meant for us. If you eavesdrop on a dining hall conversation at the table next to you, doubtless you’ll find it uninteresting, but you won’t think “why are they speaking so loud I can hear what they’re saying?”
There used to be a distinction between communications and broadcast media, which has now broken down. Broadcast is one-to-many, a one-way megaphone which attempts to reach as many people as possible of a target audience. Communications, on the other hand, are two-way conversations for specific recipients, one-to-one. Now we also have many-to-many, communications tools which enable group conversation. There is a continuum between broadcast and communications rather than a sharp break neatly following the lines of the technology used (TV/radio vs. phone/fax). Communications and broadcast are mixed in the same medium, and we make the mistake of judging communications by the standards of broadcast.
- Split Identity Crisis [en] (2005)
- Blogs, journalisme et responsabilité [en] (2003)
- Interview with Serbian Magazine [en] (2008)
- Blogging 4 Business: Panel on User-Generated Content [en] (2007)
- John C. Dvorak and Om Malik: Blogs vs. Journalism [en] (2007)
- LeWeb'13: Travis Kalanick and Snow in Paris in 2008 [en] (2013)
- Lift13, Innovation Drivers XXX: Kate Darling [en] (2013)
- Lift12 Stories Open Stage: Pierre Spring, Don't Make Me Steal! [en] (2012)
- Testimony [en] (2003)
- Lift10 Workshop: From virtual to real world value — Collective Intelligence as an alternate source of media power [en] (2010)